“The parody just never fully cancels out the ache.” In her reading of Kaari Upson's House to Body Shift at Sprüth Magers , Arina Baburskova  reframes the late artist's work as a study in metamodern oscillation and the restless movement “back and forth between irony and sincerity, critique and care.” Exhibition shot courtesy of Sprüth Magers Flesh-toned furniture slumps scattered under Sprüce Magers 's cold light, sharp and clinical, as if under inspection. Staircases curl in