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REVIEW | RODNEY BLACK: WHO CARES? IT'S WORKING!
Photography courtesy of Full Frontal Theatre Language is the most powerful tool. This was the most poignant sentiment that ran through ...
IN CONVERSATION WITH UDITH DEMATAGODA
There is a scene in Donizetti’s 1832 romantic opera L'elisir d'Amore wherein the leading couple finally admit that they’re in love with...
MALQUERIDAS: NOTES ON 'THE UNLOVED'
In conversation with the devastating prose writer Fernanda Melchor for Granta , her English translator Sophie Hughes recalls a few...
FACELESS PORTRAITS OF GEN Z: BOBBI ESSERS IS ON A HUNT FOR DELEUZIAN CONNECTIONS AND MEANINGFUL ADVENTURES
Photography of Essers courtesy of UNIT London The shiny black leather of a coat morphs into the bruised knee, while the top right panel...
DOWN THE PUB WITH FULL FRONTAL THEATRE
Hen Ryan and Sadie Pearson discuss their hit show To Watch a Man Eat, the ethics of language, and indulge in some white white.
“I’M NOT INTERESTED IN FLESH-COLOURED FACES”: ARTHUR LEMONIER ON ‘OF THIS ELUSIVE, I'M AN ACCOMPLICE’ AT TM PROJECTS
Lemonier in his studio. Courtesy of TM Projects. Arthur Lemonier is speaking to me from his Parisian studio ahead of his first London...
SHOULD WE BE LAUGHING AT CATTELAN'S COMEDIAN?
Both the punchline and the set-up, Cattelan has us questioning: who’s the comedian now? writes Ruby Mitchell. Photography courtesy of...
"WHAT IS IT LIKE TO HAVE SEX AT 70?" ANTONELLA SUDASASSI FURNISS ON 'MEMORIES OF A BURNING BODY'
Antonella Sudasassi Furniss ’s second feature, Memories of a Burning Body , has opened to UK cinemas this week . In 2024, it took home...
THEN AND NOW: NOTES ON CIARÁN CASSIDY'S 'HOUSEWIFE OF THE YEAR'
Ciarán Cassidy ’s Housewife of the Year , which premiered at CPH:DOX , won Best Irish Feature Documentary at the Galway Film Fleadh ...
WHEN EVERYONE IS A PHOTOGRAPHER, WHAT MAKES FRIEZE'S PHOTOGRAPHY WORTHY?
If nothing else, the photography at Frieze London make us feel like we’re part of an elaborate in-joke. I mean, really—who doesn’t love...
"YOU LOSE ALL SENSE OF TIME IN THE MONASTERY": ALYS TOMLINSON AND CECILE EMBLETON ON 'MOTHER VERA'
Filmmakers Alys Tomlinson and Cécile Embleton discovered Vera, the subject of their recent documentary film Mother Vera (2024) in...
FASHION CROSSOVER LONDON: ONES TO WATCH
While Paris embodies traditional luxury, New York embraces commercial trends, and Milan focuses on serious runway presentations, London...
SONIA BOYCE: AN AWKWARD RELATION & LYGIA CLARK: THE I AND THE YOU AT WHITECHAPEL GALLERY.
Instead of the gallery being a place of observation and a one-way communication from artist to those experiencing their work, it becomes...
ONLY LOVERS LEFT ALIVE: ISABELLA JOSEPHINE LEON'S DARK ROMANCE
"I’m still a kid inside, and have not wavered from my childhood tastes and ideas,” says Isabella Josephine Leon , the up-and-coming...
THE ALCHEMY OF WOMANHOOD: PATRICIA ORTIZ AND THE WITCH ARCHETYPE
This is a show that feels deeply feminist - not in a slogan-splashed-across-a-T-shirt way, but in its dedication to unveiling the gore of
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