exhibitions

Avantika Pathania

Mar 22

RICHARD SERRA: THE FINAL WORKS AT CRISTEA ROBERTS

Emma Lee

Mar 18

"MOST COLLECTORS WE KNOW COLLECT ART FOR THE LOVE OF IT": MEET THE COLLECTIVE BREAKING DOWN BARRIERS TO ART BUYING

Avantika Pathania

Mar 13

JIM DINE’S 'TOOLS AND DREAMS' AT CRISTEA ROBERTS

Victoria Comstock-Kershaw

Feb 26

WHAT DO WE DO WITH LEIGH BOWERY?

Arina Baburskova

Feb 18

TITIAN'S OWN ARCHITECTURE: PUSHER PRESENTS DANAË BY LA MÉDITERRANÉE

Arina Baburskova

Dec 3, 2024

FACELESS PORTRAITS OF GEN Z: BOBBI ESSERS IS ON A HUNT FOR DELEUZIAN CONNECTIONS AND MEANINGFUL ADVENTURES

Victoria Comstock-Kershaw

Nov 27, 2024

“I’M NOT INTERESTED IN FLESH-COLOURED FACES”: ARTHUR LEMONIER ON ‘OF THIS ELUSIVE, I'M AN ACCOMPLICE’ AT TM PROJECTS

Flora Guildford

Oct 29, 2024

SONIA BOYCE: AN AWKWARD RELATION & LYGIA CLARK: THE I AND THE YOU AT WHITECHAPEL GALLERY.

Ruby Mitchell

Oct 28, 2024

THE ALCHEMY OF WOMANHOOD: PATRICIA ORTIZ AND THE WITCH ARCHETYPE

Arina Baburskova

Oct 18, 2024

HONEYED VIOLENCE: DISCOMFORT, DESIRE, AND A BIT OF PSYCHOANALYSIS

Ella O Gorman

Oct 15, 2024

MAYA GOLYSHKINA ON “EMBODYING DISSONANCE: A JOURNEY BEYOND THE NORM” AT SEVENTEEN GALLERY

Ruby Mitchell

Oct 3, 2024

ROCOCO REVISITED: FLORA YUKHNOVICH AT THE WALLACE COLLECTION

Victoria Comstock-Kershaw

Sep 27, 2024

AMAR SINGH IS CHAMPIONING UNTOLD ARTIST’S STORIES

Avantika Pathania

Sep 27, 2024

"MY ARTWORKS ARE NOT CONFINED TO A SINGLE CATEGORY": IAN DAVENPORT'S 'PATHWAY' AT CRISTEA ROBERTS

Daisy Culleton

Sep 24, 2024

JOHN STEZAKER'S 'SPELL' AT THE APPROACH

Joanna Metodieva

Sep 20, 2024

“LET ALL THE VITAL FORCE—BECAUSE IT IS THERE” OCTOBER GALLERY DEBUTS VITAL FORCE IN LONDON

Zoe Goetzmann

Sep 19, 2024

MAKIKO HARRIS'S 'LACQUERED REBELLION' AT KRISTIN HJELLEGJERDE

Arina Baburskova

Sep 12, 2024

WHAT IS AND WHAT IS NOT: CONCERNING THE SPIRITUAL (AND PHYSICAL) IN ART

Avantika Pathania

Sep 10, 2024

IN HERACLITEAN FLUX AND FLOW: ‘PANTA RHEI’ AT ALICE AMATI

Tanya Mascarenhas

Sep 6, 2024

RICHARD SERRA: THE FINAL WORKS AT CRISTEA ROBERTS

"MOST COLLECTORS WE KNOW COLLECT ART FOR THE LOVE OF IT": MEET THE COLLECTIVE BREAKING DOWN BARRIERS TO ART BUYING

JIM DINE’S 'TOOLS AND DREAMS' AT CRISTEA ROBERTS

WHAT DO WE DO WITH LEIGH BOWERY?

TITIAN'S OWN ARCHITECTURE: PUSHER PRESENTS DANAË BY LA MÉDITERRANÉE

FACELESS PORTRAITS OF GEN Z: BOBBI ESSERS IS ON A HUNT FOR DELEUZIAN CONNECTIONS AND MEANINGFUL ADVENTURES

“I’M NOT INTERESTED IN FLESH-COLOURED FACES”: ARTHUR LEMONIER ON ‘OF THIS ELUSIVE, I'M AN ACCOMPLICE’ AT TM PROJECTS

SONIA BOYCE: AN AWKWARD RELATION & LYGIA CLARK: THE I AND THE YOU AT WHITECHAPEL GALLERY.

THE ALCHEMY OF WOMANHOOD: PATRICIA ORTIZ AND THE WITCH ARCHETYPE

HONEYED VIOLENCE: DISCOMFORT, DESIRE, AND A BIT OF PSYCHOANALYSIS

MAYA GOLYSHKINA ON “EMBODYING DISSONANCE: A JOURNEY BEYOND THE NORM” AT SEVENTEEN GALLERY

ROCOCO REVISITED: FLORA YUKHNOVICH AT THE WALLACE COLLECTION

AMAR SINGH IS CHAMPIONING UNTOLD ARTIST’S STORIES

"MY ARTWORKS ARE NOT CONFINED TO A SINGLE CATEGORY": IAN DAVENPORT'S 'PATHWAY' AT CRISTEA ROBERTS

JOHN STEZAKER'S 'SPELL' AT THE APPROACH

“LET ALL THE VITAL FORCE—BECAUSE IT IS THERE” OCTOBER GALLERY DEBUTS VITAL FORCE IN LONDON

MAKIKO HARRIS'S 'LACQUERED REBELLION' AT KRISTIN HJELLEGJERDE

WHAT IS AND WHAT IS NOT: CONCERNING THE SPIRITUAL (AND PHYSICAL) IN ART

IN HERACLITEAN FLUX AND FLOW: ‘PANTA RHEI’ AT ALICE AMATI

VISUAL HISTORIES IN A WATERY LAND: SOSA JOSEPH’S ‘PENNUNGAL: LIVES OF WOMEN AND GIRLS’ AT DAVID ZWIRNER