Avantika PathaniaAug 21, 2024“I AM THE SUBJECT OF MY WORK, NOT SOMEONE ELSE’S OBJECT”: PENNY SLINGER’S 'EXORCISM: INSIDE OUT' AT RICHARD SALTOUN
Riddhi DasguptaJul 10, 2024PLEASURE AS RESISTANCE: AJAMU X'S 'A SENSUAL CHORUS OF GESTURES' AT AMANDA WILKINSON
Victoria Comstock-KershawJun 24, 2024'MATERIALISM & MACH' BRIDGES THE SACRED AND THE INDUSTRIAL AT ANISE GALLERY
Albertina CampbellJun 17, 2024TESFAYE URGESSA IS REDEFINING CONTEMPORARY PORTRAITURE AT SAATCHI YATES
Victoria Comstock-KershawJun 15, 2024“ART IS LIKE HAVING A HOT GIRLFRIEND”: ART BASEL IS THE BEAUTIFUL CESSPIT WE DESERVE
Ella O GormanJun 11, 2024"EVERY EXPERIENCE THAT I’VE HAD IN MY LIFE SO FAR HAS ALTERED ME": URI ARAN'S 'ZERO POINT EVERYTHING' AT SADIE COLES HQ
Avantika PathaniaJun 3, 2024"PAINTING IS ABOUT SELF-KNOWLEDGE": GRAHAM CROWLEY ON 'LIGHT FICTION' AT DOMOBAAL
Ella O GormanMay 27, 2024"WHEN I PAINT, I PLOUGH WITH MY HEART": KATE WALTERS' 'I SAW THE WAKING FIELD' AT ARUSHA GALLERY
Riddhi DasguptaMay 22, 2024SOUMYA SANKAR BOSE'S 'BRAIDING DUSK AND DAWN': COLLECTIVE HEALING THROUGH ART AND MEMORY
Joanna MetodievaMay 13, 2024"YOU DON'T REBUILD HISTORY, YOU MODIFY IT": TIM KENT'S 'HISTORIES IN FLUX' AT JD MALAT GALLERY
