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Cindy Ziyun HuangApr 16, 2024CAN INTIMACY BE VIOLENT? MATHEW WAYNE PARKIN'S 'I CAN FIT A FIST IN MY MOUTH' AT CUBITT GALLERY
Victoria Comstock-KershawMar 13, 2024SHOULD WOMEN STOP PAINTING WOMEN? WHAT SOTHEBY’S MODERN AND CONTEMPORARY SALE TELLS US ABOUT ART MARKET ATTITUDES TO FEMALE ARTISTS
Avantika PathaniaMar 13, 2024“HOW CAN I GET TO THE TRUEST FORM IN PAINT?” DANIELLE FRETWELL’S 'SHALLOW INVITATIONS' AT ALICE AMATI
Avantika PathaniaFeb 27, 2024'UNVEILING ABSTRACTIONS' AT HYPHA STUDIOS, CURATED BY MELISSA VIPRITSKAYA TOPAL AND ZOE GOETZMANN
Agnès Houghton-Boyle Feb 13, 2024"FEMINISM BEGINS WITH SENSATION": ANNA PERACH AT GASWORKS ULTIMATELY FALLS FLAT
Avantika PathaniaFeb 12, 2024'ALEXIS HUNTER: 10 SECONDS' AT RICHARD SALTOUN, CURATED BY NATASHA HOARE
Agnès Houghton-Boyle Feb 7, 2024"THERE IS BARELY A DIVIDE BETWEEN MY INNER AND OUTER WORLD": PENNY GORING ON THE FEAR-FUELLED FANTASIA OF HER ART
