In conversation with the devastating prose writer Fernanda Melchor for  Granta , her English translator Sophie Hughes recalls a few...

Both the punchline and the set-up, Cattelan has us questioning: who’s the comedian now? writes Ruby Mitchell. Photography courtesy of...

Ciarán Cassidy ’s   Housewife of the Year , which premiered at CPH:DOX , won Best Irish Feature Documentary at the Galway Film Fleadh ...

If nothing else, the photography at Frieze London make us feel like we’re part of an elaborate in-joke. I mean, really—who doesn’t love...

I have been wary of the term ‘emerging artist’ for a while but this year has confirmed my fears that the phrase has started to lose all...

This year’s fair showcased a remarkable selection of portraits that break away from conventional portraiture colloquiums, writes Avantika Pa

The best and the worst of this year's Frieze show just how delicate the balance between curatorial excellence and art market demands...

I have a much better time sipping spritzers with six-foot Serbian sex workers than sitting through yet another insipid speech about the...

Has the act of noticing become an anachronism in today’s world? asks Riddhi Dasgupta.